My Treasure

What kind of treasure does your music collection have? A readily available resource called Discogs will help you out almost in an instant. It is quite rare that the bar code off the back of your record or CD, or in case you own records from the pre-bar code era, the catalogue numbers will not be found by Discogs. Almost everything will have a valuation, almost everything will have a history of buying and selling.

When you think of it, that’s how it should be but in my experience, that’s not how it has always been. For me, my current situation of being firmly rooted in a very pleasant country on the right side of the Iron Curtain, is a gift in itself and time has put an abyss between my days in the Soviet Union’s city of Gorky, back then, the city of the Academician Andrey Sakharov’s guarded exile.

In those days owning a record meant being part of a slightly parallel reality, at times more rewarding, at times more dangerous and often times heart-breaking. Danger could come from the police (then – militia) raiding a weekly gathering of owners of records and those wishing to own them or tape them. Danger could come from the small but well organized groups of youths who did not care about the music but were eager to promptly separate isolated record owners from the rest and quickly dispossess them of their records, most of the time with a bit of physical violence to improve the effectiveness of the rather unilateral transaction. Heartbreak could come from being tricked into buying a record to discover that the labels had been switched and what you paid for dearly was in fact worthless. Heartbreak could come from the necessity to ditch your very valuable records while running downhill lest you be caught in possession by an eager volunteer or Mr Policeman to avoid the follow up in school or university, which involved explanations of varying degrees of gravity to panels of varying degrees of importance to help them understand why the young man standing before the esteemed panel chose to come into questionable ownership of a piece of anti-Soviet propaganda.

Back in the mid and late eighties I spent several years in the gradually thawing environment with my best friend whose parents generously financed about 90 per cent of our acquisitions that together amounted to a rather modest collection of less than moderate value. To us it was a treasure nonetheless. We had Deep Purple, Jethro Tull, Pink Floyd, Rainbow and even though some of the gatefolds had been cut out by previous listeners and the records would be sometimes graded as VG at most, we played them, talked about them, researched them and were very happy.

I still have a couple of records that survived the 90s when the vinyl was pronounced dead. They remind me of Pavel, my friend who died in an accident in his prime. It reminds me of the time when what we heard meant more than what it cost.

So I thought to put together a series of illustrated stories that would lead the way through my greatly expanded collection that I can keep and not worry about running away from the police. How to build this path is a question because for a disorganized person like me, my collection is relatively well organized, alphabetically and chronologically. Plus, working my way through every Jethro Tull record would make me a competitor to Seva Novgorodsev, whose programmes on the BBC Russian Service I listened to every Friday at midnight and, I should add, who read two of my letters posted with rather little hope of them making it to London. They did.